Directing via a high quality audio and video connection is preferable, but not always possible. Always record at 24bit/48k/.wav unless a different spec is agreed upon by key editorial and sound personnel.ĭirecting the session remotely can take some adjusting for the Production team and the talent – it can take longer and require patience – so it is wise to manage expectations around this. That understood, here is some guidance on home recording: Bit Rate, Sample Rate, Frame Rate, File TypeĪlways record at the agreed upon title-specific frame rate.
Please contact for advice and support on remote ADR and PDX recording.
We must understand that short of recording in a proper facility, we are left with solutions that will likely compromise quality. They will ultimately have to make the recordings work in the final mix, so they are the experts who should drive these decisions. Additionally, we must keep in mind that good ADR starts with great performances, and that part of the value of an ADR studio is that it is a performance space where actors, directors and recordists collaborate to create or recreate the drama of the scene.įor decisions on ADR and PDX recording, please defer to the recommendations of the Supervising Sound Editor and sound team on the particular project. Simply put, home recording will often cause problems downstream for sound finishing, either requiring hours of work to achieve compromised quality, or even being deemed unusable entirely. Matching ADR to production sound is the most difficult aspect of mixing, even when tracks are expertly recorded. Final ADR and Dub recordings require acoustically quiet environments so that the recordings can be mixed as indoor or outdoor - so they can be precisely controlled by the re-recording mixer. While we all must accept the challenging realities of the present day, it is important to keep in mind that there is no substitute for a proper ADR or Dub recording room. Given the facility shutdowns and social distancing guidance around the world, there are questions about how ADR and Dub recording will be done going forward. Please reach out to your Netflix Representative with any questions. This recommendation and guidance is meant for a wide audience and may not apply to your production. Remote Supervision and Direction of a Recording Sessionįor ADR, VO or Dub Recordings with Quality Compromises Bit Rate, Sample Rate, Frame Rate, File Type
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